The course introduces students to basic concepts and skills involved in film production but inverts the usual priority granted to the visual over the aural in film: here we focus on sound as the generative kernel behind a cinematic work. The course explores how sound can function as the driving force of story, character, and world-building, and the moving image is introduced as a way to extend the expressive possibilities of sound.

This course introduces students to basic concepts and skills involved in film production but inverts the usual priority granted to the visual over the aural in film: here we focus on sound as the generative kernel behind a cinematic work. The course explores how sound can function as the driving force of story, character, and world-building, and the moving image is introduced as a way to extend the expressive possibilities of sound
(Same as MEDS 245) This practice-based course places contemporary podcast forms within the larger context of sonic artistry across cinema, radio, and other media. As we produce our own original short audio narratives, we draw from a wide range of disciplines, techniques, and methodologies, including oral history, deep listening, non-extractive journalism and documentary practices, radio drama, voice acting and live performance, audio essay and collage, as well as abstract sound art and design. Students use professional equipment and software to produce their audio assignments, and they work collectively to create a showcase event and/or platform for their final projects.
This course provides students with an overview of the entire post-production process, emphasizing how new technologies shape the way we tell a story. Topics include picture and sound editing, color correction, basic motion graphics, and visual effects. The class explores film history, aesthetics, and technology. Students review narrative, documentary, and experimental work, as well as edit several projects, exploring these different modes using pre-existing footage. The goal of the course is to develop the practical and analytic skills required of an editor as a member of the filmmaking team.